Flori & cranii

Takashi Murakami’s first exhibition in Hong Kong explores one of the central dichotomies of his art—between joy and terror, his optimistic magnanimity as an artist and his pessimistic perspective on postwar Japan. Here, this dichotomy is symbolized by the stark

Arts & culture

Flori & cranii

Takashi Murakami’s first exhibition in Hong Kong explores one of the central dichotomies of his art—between joy and terror, his optimistic magnanimity as an artist and his pessimistic perspective on postwar Japan. Here, this dichotomy is symbolized by the stark

10 December 2012